“When they’re used well, graphs can help us intuitively grasp complex data. But as visual software has enabled more usage of graphs throughout all media, it has also made them easier to use in a careless or dishonest way — and as it turns out, there are plenty of ways graphs can mislead and outright manipulate. Lea Gaslowitz shares some things to look out for.”
Writing history is an act of interpretation. Creating art about history further separates past events from the final.
What happens when an artwork tells a story that distorts an actual event? What if that “distorted” artwork communicates a historical “truth”?
Below is a famous image from a civil rights protest in Birmingham. The image tells a powerful story. It turns out that the actual events leading up to the image and the people involved tell a much different story than one we would infer simply by looking at the image.
There is a sculpture, based on the above image, that tells an even more dramatic story pictured below. What does it mean if the artwork, though powerful, does not accurately tell the actual story of the events it is depicting? What if it tells the truth of the brutality of the crackdown on the civil rights movement through inaccurately depicting an event? What does all this say about the power of artwork? The connection between history and art?
Below is a link to Malcolm Gladwell’s podcast that discusses these issues.
“Steve Ballmer, the former Microsoft chief executive, wants to improve the national political debate with a treasure trove of facts about government. The post-truth age might not be so receptive.
“It’s an honorable idea. But facts alone are feeble things. Given more information, most people don’t change their minds, even when the new data seems to support the opposite argument. They convince themselves that the information is misleading (“alternative”) or simply wrong (“fake). They tune out stuff that’s uncomfortable to hear and tune in to cable news programs like reliably tell them that their intuition about the world is even more right than they knew. When most apocalyptic cults face irrefutable proof that they miscalculated the end of days, they don’t call it quits and return to their normal pre-doomsday lives.”
Why are people so reluctant to change their minds? This well-researched and well-presented cartoon delves into that very important question. It also helps elucidate the relationship between emotion and reason when our belief system is challenged.
“This doubling down in the face of conflicting evidence is a way of reducing the discomfort of dissonance, and is part of a set of behaviors known in the psychology literature as “motivated reasoning.” Motivated reasoning is how people convince themselves or remain convinced of what they want to believe—they seek out agreeable information and learn it more easily; and they avoid, ignore, devalue, forget, or argue against information that contradicts their beliefs.”
“Such accounts may make us feel good about ourselves, but they are misguided and simplistic: They reflect a misunderstanding of knowledge that focuses too narrowly on what goes on between our ears. Here is the humbler truth: On their own, individuals are not well equipped to separate fact from fiction, and they never will be. Ignorance is our natural state; it is a product of the way the mind works.”
Why do misconceptions continue to exist despite evidence to their contrary? To what degree does intuition undermine our ability to accept “new” or counterintuitive truths?